Author: Andrew Skeates

A beautifully and intricately crafted film that is given an emotional heart thanks to Kim Hye-ja and while it has lots more to say than just simply thrill, is still also an often gripping thriller.

Certainly a product of its time and now rather dated, ‘Guns of Dragon’ is still worth a watch for those in the mood for unpretentious and gratuitous gun blazing nonsense.

Despite going the exploitative route and therefore diluting some of the mystery, the film still grips thanks to the ever present sense of something horrible about to happen and a cast who give it their all.

Some may be disappointed that Kitmura’s kinetic style has been diluted somewhat by the Hollywood machine but it’s good to see him trying something different and at a more slow burn pace.

Keanu Reeves makes an assured directorial debut and an all round great fight film with the rather impressive ‘Man of Tai Chi’.

If you like your cop thrillers but want something just a little different then ‘Mad Detective’ has got both bases covered.

Slick, sick exploitation ‘Machine Girl’ is absurd Japanese cinema at its best. About as subtle as a kick in the balls it is nevertheless well designed, gore soaked, action packed and surprisingly funny entertainment.

The pace, the emphasis on spy procedure rather than spy spectacle and the often graphic nature of some scenes may not be to everyone’s taste but ‘Lust, Caution’ is a challenging film made for adults.

A 4 hour, yes 4 hour, epic about love, religion and all manner of weirdness from one of Japan’s most out there directors, Sion Sono.

Eschewing any flashiness for a more old school and care given to character and pacing approach, Chong and Mak craft a beautifully shot and finely acted period piece.

‘Lethal Force’ should be seen with as many like minded action and eastern film fans and after copious amount of alcohol to appreciate the trippy madness and manic mayhem it provides.

Entertaining in parts with a game cast on good form but frustratingly uneven and unsatisfying a film as a whole, ‘Let the Bullets Fly’ lays on the political subtext but forgets to have fun with it.