Genre: Drama

This fourth go around for Yen and director Yip with the Ip saga is as solid as ever from the duo but pales in comparison to the first two instalments.

‘Ip Man And Four Kings’ leaves gaping holes in an already threadbare plot while taking even the simplest of character development as an ordeal.

At a swift 80 minutes ‘Ip Man: Kung Fu Master’ fairly throttles along trying to cover as much early Ip Man history as possible as well as cramming in as many fight scenes as it can.

‘Ip Man: The Awakening’ may not be remembered in the great canon of Chinese folk hero cinema, but as a solid offering that clocks in under ninety minutes, this is recommended.

Herman Yau’s conclusion to the story deserves its place among its contemporaries. And any film with Anthony Wong giving his all is well worth adding to your collection.

‘Iron Fists’ is packed with varied action, good performances from luminaries like Chen Kuan-Tai and Mang Fei and is constructed in a way that does no shame to its lofty inspiration.

Anyone who appreciates quality choreography, well executed fight sequences and a well told story will love this and will definitely want to own it!

Powered by Wu’s lean direction and vision and Li’s brilliant star turn, ‘Iron Road’ should win new fans for both.

With the martial arts action severely lacking in excitement and a whole lot of WTF, means ‘Ironheart’ is just a load a B-movie badness.

For a low budget, rushed production, the emotional content of the film and the quality of its cast save the day providing us with a kung fu influenced ‘Shawshank Redemption’ wannabe.

‘It’s A Great, Great World’ starts out small and unassuming and before you know it has evolved into something more colourful, vibrant and involving than you could have ever expected.

With brains, brawn and cool, cruel style to spare, ‘Japan Organized Crime Boss’ is a fantastic entry point to Fukasaku’s earlier movies.