Rating: 3.0

‘The Adventurers’ itself is a breezy romp with a good cast, some smart action sequences and enough momentum to make its duration enjoyable on a standard level.

Like an ultra-violent episode of ‘Hercules’, ‘The Assassin’ is enjoyable while it lasts. Evidence suggests it was not intended to be anything more.

If you expect a beautiful style over substance film then it will entertain you, and in my eyes it is an improvement over ‘Storm Riders’.

While it doesn’t always engage and could have used a little more oomph come the second half, Feng Xiaogang’s film is still a decent attempt at dynasty drama.

Certainly not subtle but if you can forgive its flaws and instead bask in its blockbuster credentials, then ‘The Battle At Lake Changjin’ delivers some spectacular war movie action.

The film veers between harrowing war bloodshed and comic book daredevil action and while it never shies away from the horrors of war the film is always entertaining: certainly, from an action standpoint.

If, like me, you loved the 80’s action style of people like Yuen Kwai then this is a good purchase, as the fights stand up to repeat viewings even if the rest does not.

While not matching the ambitions of ‘Ong Bak’ or ‘Born to Fight’ in no strings attached mayhem, ‘The Bodyguard’ is continued proof that Thailand’s popular cinema has a secure future.

Unfortunately ‘The Brave Archer’ is one of Chang Cheh’s least assured efforts as he foolishly tries to fit in all of the sub-plots and characters of this vast novel.

The three films are of course better if viewed as one long film, but that is partially the undoing of this third instalment due to it’s comparatively slow pacing following the hectic earlier instalments.

‘The Bravest Escort Group’ was one of those films you start watching while all the while thinking that it must have either been edited down from a much longer version or part of a series.

Yu’s extravagant use of colour and innovative camera techniques are extremely pleasing, but in no way make up for the lack of depth missing from the rest of the film.