Rating: 4.0

‘Golgo 13: Assignment Kowloon’ seems to do so much right that it makes me wonder why this wasn’t the start of a series of films.

While there are flashes of his trademark fight scenes, it’s the fairy tale love story that always takes precedence.

I walked into it expecting ‘Godzilla’ given a British spin on a Dr Who episode budget, instead it is a great, colourful thriller of a bygone age.

This is a beautifully told story that is wonderfully presented and extremely touching, making it hugely accessible to any audience.

This is a film that hides within its subtle execution a powerful social critique that pulls apart the sad misogyny and blame culture that is still far too influence in the modern world.

Although not a masterpiece, ‘Hand Of Death’ is a good example of how quality quickly shines through and stands out in a crowded genre.

A simple storyline that is backed up by an ample supply of martial arts sequences; this is a film that makes no bones about being a showcase for the impressive fighting skills of its lead actors.

An incredible samurai film and a classic piece of Japanese filmmaking this is old school filmmaking and storytelling at its best.

‘Hard Target’ always seems to be credited simply as John Woo’s first American movie, but I actually think it is more accurately labelled as his best Hollywood outing.

With a sparse soundtrack, and an ensemble of superb performers, Koji Fukada has fashioned a haunting film that is never quite a thriller despite leanings in that direction.

If you prefer to see Jackie in films like ‘Shanghai Noon’ and ‘Rush Hour’ then this may not be for you, but if you want to see an alternative to his stereotyped bumbling hero then it will certainly deliver.

With consistent pacing, a convincing story and an effortless mixture of comedy and romance, it is no wonder that ‘Heart To Hearts’ was successful enough to spawn two sequels and numerous imitators.