Rating: 4.0

There are numerous excellent comic situations and some classic routines that have been quoted and regurgitated ever since.

Fully embracing the dark side of black magic tinged retribution, Stamboel delivers a rollicking and shocking gore-soaked horror.

‘The Quiz Show Scandal’ is a keenly-observed comic creation. As nutty as a Korean version of ‘It’s A Mad, Mad, Mad World’ should be while also succeeding in pulling off moments of mordant wit.

In what could be described as a mixture of Indiana Jones and well-known Hong Kong film traits, ‘The Raid’ is a very entertaining 100 minutes of action/comedy.

Rarely has the simple theme of love been given such a spellbinding presentation as Zhang Yimou’s ‘The Road Home’.

The two Dereks have provided viewers with a down-to-earth story of sadness that firmly keeps the attention until the final credits roll.

Ann Hui’s version of Emperor Chien Lung isn’t a masterpiece, but is certainly worthy viewing – far more so than ‘The Emperor And His Brother’.

Although the film is nearly 25 years old, the action is not dated and serves as a breath of fresh air after a decade dominated by wirework.

Chor Yuen is once again painstaking in his vision of the visual ambience of the martial world, while he also gets fine performances out of his cast.

Crazy cult classic that lives up to its mad-as-a-bag-of-frogs rep, ‘The Seventh Curse’ is some delicious Hong Kong Category III madness.

Wong sets the screen alight with a stunning array of kicking that nearly steal the entire film. For this reason – and the assurance that this is a good film – ‘The Shaolin Plot’ is solid entertainment.

‘The Show Must Go On’ is still packed with bone-dry humour juxtaposed with moments of gripping tension, a feat that should not be underestimated.