Rating: 3.0

The unrealistic and slightly uncomfortable relationship that is the film’s centre never lets the film be anything more than a watchable film from a director who more should be expected from.

Kent Cheng gives the best performance of his career in a role that always manages to avoid histrionics.

It may be a little tame for serious Category III fans and it does border on pretension on several occasions but overall, ‘Wild’ is an engaging, offbeat thriller about a narcissistically doomed couple living on the edge.

Unfortunately, just as you find yourself warming to his style, Wong Jing falls prey to the failings that would long be associated with him.

Like many modern animations, it’s a very fast-paced and colourful affair that features an easy to warm to set of characters and some simplistic humour that is suitable for all the family.

While it’s no great shakes ‘Wonder Seven’ will provide some nostalgia tinged enjoyment for those who miss the golden days of stunt filled Hong Kong action cinema.

The drama that fills the narrative asks that Leung is capable of giving a mature, at times necessarily understated performance, something the actress resoundingly provides.

A visually stunning piece of sci-fi Anime, ‘Wonderful Days’ is thrilling to look at but let down by a hollow core and one dimensional characters.

‘Wonderful Radio’ is less than the sum of its parts and, in a crowded genre, just doesn’t stand out. Pleasant, but instantly forgettable.

Those expecting the typical Tsui Hark flair and innovation may be disappointed by this straight-forward comedy, but it still shows his ability to add something to even the most well-trod narratives.

Joseph Kuo can be credited with providing the genre with much to savour, but ‘World Of Drunken Master’ is a very routine kung fu comedy.

‘Yakuza Hunters: The Revenge Duel In Hell’ is quite a different animal to the first movie, so much so that fans of the original’s campy goodness may well be somewhat disappointed.