Rating: 4.0

‘Flag Of Iron’ is a good film in nearly all of its departments and therefore earns a strong recommendation.

‘The Flower And The Angry Waves’ is a great little film, as worthy of attention as any of Suzuki’s later films or indeed of any fellow period films.

Despite its obvious shortcomings, ‘The Foul King’ is an excellent advert for Korean cinema and retains a strong entertainment value even during its weaker moments.

Under all the zaniness, singing and the odd bit of blood, ‘The Fox Family’ is actually quite a sweet modern fairytale.

Wisely building to the big combat scenes, ‘The Front Line’ lets us, the viewer, get to know the characters and watch them transform through their actions and what they must go through to survive.

Not only does it contain some of Stephen Chow’s most finely honed comedy, but it also sees him giving one of his more heartfelt and dramatic performances.

Only in Japan would a book like ‘The Great Passage’ catch the public imagination, only in Japan would someone then think that this might translate to the big screen and only in Japan would it be a rousing success.

‘The Guard Post’ is a much more successful film than ‘R-Point’, in style, pacing, tension and acting, and a very satisfying and creepy slice of Korean ghostly horror.

For anyone who wants a change from the late-70s kung fu comedy cycle, ‘The Heroes’ is a film that is heartily recommended.

However smartly presented this big budget hit is, it is the dry Korean eccentricity, Bong Joon-Ho’s confident orchestration and the actors at the forefront who make this so captivating.

‘The Iceman Cometh’ remains one of Biao’s finest leading man moments. It’s packed full of great performances, enjoyable kung fu fights and a very unique story.

This slice of social-realism is about as far from the stereotypical Shaw Brothers output as can be imagined, though that should not deter viewers looking out for this well-acted, well-paced piece of Hong Kong cinema.