Rating: 3.0

The term ‘low-key’ was perhaps invented for this enjoyable and slightly off-beat comedy/thriller.

By the time the end credits start to run, there is the definite feeling that strong potential has been wasted.

Although dated, ‘The Chinese Boxer’ is historically fascinating and provides an interesting point of reference to the many films that would follow.

With ‘The Conmen In Vegas’, Wong Jing takes the best approach that we could have hoped for – one in which he has little aspiration to achieve heights that we all know he isn’t capable of.

Few genre films have achieved the cult status that ‘The Crippled Masters’ has and, thanks to a lovely remastered release from Film Masters, it can finally reach a wider audience.

While it relies a little too much on the creepy long haired girl ghost plot device, ‘The Doll Master’ is an entertaining slice of freaky cursed doll horror.

Unfortunately, the film itself falls far short the sum of its dazzling parts, with a central love story too lightweight to sustain either the bulk of the plot or the grand tragedy of the climax.

With a clearly impressive budget and a star-studded cast, it is to be expected that the film is padded out and not always as engrossing as it should have been.

Lau Wing may not be an accomplished screen fighter, but it is his portrayal of Lu Xiaofeng that earns this a moderate rating that it otherwise would not deserve.

‘The East Is Red’ ends the popular series with a visual bang that pummels the viewer relentlessly. Unfortunately the exercise is very much one of style over substance and the overall effect is a bewildering one.

This is an average comedy film with little to make it stand out and viewers would be better advised watching ‘Diary Of A Big Man’ if they want to see one of Chow Yun-Fat’s comic roles.

Despite being made in the early 80s, the choreography lacks the invention and energy common to this era. This, for many viewers, may be the main problem that hinders ‘The Emperor And His Brother’.