Rating: 3.0
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Gimme Gimme
Mar 17, 2015‘Gimme Gimme’ is an interesting diversion from the big-budget blockbusters of Hollywood or even Hong Kong, but by the end it flatters to deceive.
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Girl With The Diamond Slipper
Mar 17, 2015Though ‘Girl With The Diamond Slipper’ has a fine finale and some excellent physical comedy throughout, the decidedly flat middle section eats away at the viewer’s patience.
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God Of Gamblers II
Mar 21, 2015With lazy writing and weak comedy, ‘God Of Gamblers II’ often feels like little more than a typical Wong Jing cash grab.
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Golden Needles
Jun 14, 2022Ultimately, it is Joe Don Baker that makes ‘Golden Needles’ worth tracking down; it’s by no means his best work, but he’s always great to watch.
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Gonin
Mar 21, 2015If you manage to remain interested while the film establishes a story and can tolerate the odd sense of the macabre, then ‘Gonin’ does provide a few flashes of excellence.
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Green Fish
Mar 21, 2015The excellent acting, especially from star Han Suk-kyu, and the easy going approach give ‘Green Fish’ a style all of its own and it’s certainly worth seeking out as it is a lesser known Korean drama.
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Gun Woman
Mar 21, 2015‘Gun Woman’ is unlikely to appeal to everyone, simply because it’s fairly lightweight entertainment that contains quite a bit of twisted violence and nudity.
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GYO: Tokyo Fish Attack
Mar 21, 2015Strange, gross, manic and bonkers are all good terms to help describe ‘GYO’ but the film is also curiously gripping.
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Half A Loaf Of Kung Fu
Mar 22, 2015By no means a classic, ‘Half A Loaf Of Kung Fu’ is still an undemanding and quite enjoyable early Chan film.
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Happy Birthday
Mar 22, 2015‘Happy Birthday’ is a slickly packaged vehicle for its two stars, but utterly uninspiring at the very same time.
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Happy Ding Dong
Mar 22, 2015It’s somewhat disappointing to see a comedian of Michael Hui’s pedigree reverting to, what is essentially, a reworking of the classic Jack Lemmon/Tony Curtis/Marilyn Monroe comedy ‘Some Like It Hot’.
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Hara-Kiri: Death Of A Samurai
Mar 22, 2015This version of ‘Hara-Kiri’ just simply pales in comparison to Kobayashi’s version and while it’s certainly good for a majority of its run time, you still may be wondering what’s the point of it.