Producer: Chan Hing-Kar

It’s doubtful whether even non-action audiences will be fully satisfied by this entertaining, but insubstantial production

‘Heat Team’ will undoubtedly baffle more than it will appease; the fractured style and severe lack of focus on what the film actually wants to achieve is difficult to forgive.

A zippy, expertly performed romantic comedy with an abundance of style and quality, ‘La Brassiere’ is a pleasant surprise.

Lam puts a tried-and-tested couple together on the screen, fills the narrative with sweet and humorous asides and ends on an emotionally stirring reconciliation scene.

Not the return to modern action many a Woo fan may have hoped for but fun in fits and starts if you can forgive its flaws.

If nothing else, this film goes to show how a lack of good material can sometimes be covered over by an excellent cast.

I’ve lost 90 minutes of my life that could’ve been more productively spent on getting rid of those pesky nostril hairs. Make sure you don’t make the same mistake.

The thought that Ekin Cheng would end up falling in love with her is so ludicrous that it renders the whole film frustrating to a critical extent.

‘Simply Actors’ represents a modest enough cinematic diversion, even superficially entertaining in passages, for modern Hong Kong cinema aficionados.

More than workmanlike though never content with just being another sports film, ‘Weeds On Fire’ is an encouraging sign of life in Hong Kong cinema.

‘When I Look Upon The Stars’ is mercilessly padded in many areas and there are constant moments when the narrative almost grinds to a halt.