Keung To and Jer Lau, two members of Cantopop group ‘Mirror’, make their debut in this drama that became an unexpected hit in 2022. The result is a predictable yet effective drama that hits all of the right notes without quite producing a grand opus.
Yu Mei Fung (Mo) is a former A&R executive who gave up her successful role to raise her family, but always thought about returning to the industry. While she and her husband have drifted apart, Yu dotes on her son Jonathan and tries to support him during his final years before his big move to study in the UK. While volunteering at a local charity, Yu meets Fong Ching, a likeable youth with a wonderful musical talent and, using her contacts, she begins to manage him. As Fong becomes more successful, Yu finds herself back in the industry she loves, but fails to notice the jealousy this is causing with Jonathan. Fong is also reluctant to become a star due to something from his past that he prefers to keep quiet, yet Yu is determined to succeed at any cost.
Teresa Mo has long been an excellent comic actress, but ‘Mama’s Affair’ is a good reminder of her ability with more serious material. My most recent experience with Mo was in the woeful ‘An Inspector Calls’, so to see her given a solid role in a well made film instantly grabbed my attention (as did the realisation that she was 62 when she made ‘Mama’s Affair’!). She is the heart of the film and Kearen Pang gives her plenty to work with. It’s an excellent performance by another actress who is enjoying a well deserved Indian Summer after a great career in Hong Kong.
Alongside Mo are the two representatives from Mirror and the first thing to note is that these are not conventional matinee idol roles. And that’s a good thing as it gives both Keung and Jer an opportunity to show off their skills. Both acquit themselves well and while the character arcs are entirely predictable, both actors bring a great deal of charm to their roles. This is easier for Keung who plays the more likeable character of the two, but both young stars show promise.
‘Mama’s Affair’ use a familiar conceit, but does it very well. It also has the advantage of that certain something that Hong Kong cinema provides. It’s that ability to move away from the glistening skyscrapers and opulent living and focus on ordinary people, something that still makes it unique in East Asian cinema. It’s another story about the quiet drama of everyday life despite being set in the music industry and while Hong Kong keeps making films that stay true to their roots, I’ll always be watching. Judging by the box-office numbers and international success, I’m pleased to say that I won’t be alone.
- Mama’s Affair - February 20, 2025
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- Everything Under Control - February 3, 2025
