Writer: Felix Chong
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Dance Of A Dream
Mar 4, 2015‘Dance Of A Dream’ is an enjoyable, yet forgettable romantic comedy that is an amble display of the good and the bad of Andrew Lau as director.
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Final Romance
Mar 13, 2015Mak paces the narrative in a very delicate way, choosing to build the romance between his leads rather than just rely on ‘big scenes’ to do the work for him.
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Gen-Y Cops
Mar 16, 2015For all the plot holes and script deficiencies, this is an excellent slice of Hong Kong entertainment with a return to the edict of fun film-making that made the 80s stand out.
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Infernal Affairs
Mar 31, 2015The film has one of the best stories I’ve seen in quite a while and the cast and crew all produce some of their finest work to date.
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Initial D
Mar 29, 2015The linear narrative and lack of real danger in the story may limit what would otherwise be a sure-fire hit.
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Lady Cop & Papa Crook
Apr 5, 2015Interest is created in ‘Lady Cop & Papa Crook’ by its style and verve, yet the story and characters are successful in doing the opposite.
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Once A Gangster
May 6, 2015It’s a pleasure to see Jordan Chan given a lead role in a major production and his cowardly cook is a delightful antithesis to ‘Chicken’ from the series that made his name.
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One More Chance
Dec 18, 2023It may be a throwback, perhaps an antiquated one to some, but in an era of uninspiring cinema, it’s strangely welcome.
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Overheard
May 10, 2015A well-scripted, superbly executed thriller with a formidable triumvirate at the centre, this could well be one of the best genre films to have come from Asia in the past few years.
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Overheard 2
May 10, 2015While ‘Overheard’ was an excellent homage to the great American conspiracy films of the 70s, the in-name-only sequel is a more routine two hours with a far less incisive denouement.
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Overheard 3
May 10, 2015Wordy, but with nothing to say, this is a verbose movie populated by monumentally dull characters and bland ‘twists’ that fail to hold the attention.
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Stolen Love
Jun 1, 2015Alan Mak’s uninvolving film lacks a real narrative hook and an empathetic romance, but most of all it lacks the needed sentiment that covers a multitude of cinematic sins.