Features

In the third and final of this three-part series looking at 2022, the revival of Hong Kong films at the local box office continues.

Vasily Pugh takes a look back at the career of Michelle Yeoh, examining how she has seemingly reinvented and reinforced her on-screen popularity throughout the decades.

As the Hong Kong box office continues to prosper, four films have really come out on top and earned themselves a place in HK cinema history.

Isaac returns with the first of a three-part series looking at 2022, Hong Kong cinema’s year of miracles.

Vasily Pugh offers up his opinions on Meredith Lewis’s ‘Ask For The Moon’, a book that examines the practices and works of the Shaw Brothers studios.

Vasily Pugh reveals that he still has a soft spot for the English dubs used in the classic Hong Kong films from the past.

Vasily Pugh remembers the first time that he witnessed the impressive feats of actor Kim Won-Jin in ‘Operation Scorpio’.

Andrew Saroch reflects on the career of Hong Kong actor Ng Man-Tat (吳孟達).

Vasily Pugh suffers through one of Hollywood’s most recent female-centric filmmaking efforts and can’t help but compare it with a Hong Kong classic from yesteryear.

Vasily Pugh waxes lyrical about one of the true American martial arts cinematic gems from the 1980s – ‘The Last Dragon’.

Vasily Pugh can’t help but twitch as he reads over the various announcements proclaiming that Bong Joon-Ho’s ‘Parasite’ has finally made Korea cool!

Isaac provides details on the recent meeting of the Hong Kong Stuntman Association and the winners of their award ceremony.